There is a lot of crap out there. So when something like A Most Violent Year comes along, it is my pleasure to bring that cinematic option to you. Director J.C. Chandor's follow-up to his engaging lost-at-sea picture All Is Lost, is the gritty crime drama A Most Violent Year. Now, I am not one to seek out crime dramas past the mid '90s, but it was clear to me watching his previous feature that Chandor is a talented new director. The film unites Jessica Chastain (Interstellar, Zero Dark Thirty) with her former Juilliard classmate Oscar Isaac (Inside Llewyn Davis, W.E.), whom she suggested for the lead after Javier Bardem dropped out.
A Most Violent Year is set in New York City during a cold winter of 1981, statistically the highest crime year the city had seen. Amidst this chilling backdrop, the ambitious owner of a growing heating-oil delivery company, Abel Morales (Oscar Isaac), is being investigated under suspicion of corruption, by the District Attorney. Abel and his tough-as-her-nails wife Anna (Jessica Chastain), who does the accounting for the company, are being slowly terrorized by criminals who may or may not be associated with the company's competition. It is when things start to unravel that Chastain's character shows us her wounded self, leaving the fearless facade behind. Abel's sole interests are to protect his business and his family from those who are aiming to bring good down. Struggling to run his business without fear, Abel begins to question the people who he has been working with, meanwhile focusing on the growth which he so eagerly demands to achieve. Oscar Isaac always displays a seriousness in his characters, and his Abel draws all eyes on him. His delicate performance of an honorable man with a challenging dream commands respect. Isaac is a true talent that should have nabbed a Best Actor Oscar nomination for A Most Violent Year, yet did not, arguably because of the packed category this year. But, he will have his time; just keep watching.
A Most Violent Year is not indulgent filmmaking. Not crimes, chase scenes, nor violence are glorified by director J.C. Chandor, as they are portrayed in most-to-all "gangster" pictures. Chandor's film is very dimly lit, and he drowns out the background in many of the important dialogue scenes, focusing only on his characters at hand. A Most Violent Year feels classic, which is the direction that films should be going in. Stripped of flash and CGI, the film bares itself to us. The script refers to Abel Morales as The Caped Crusader - but this crusader is not cloaked in disguised mystery - his ethical determination will allow good to be victorious.
A Most Violent Year is set in New York City during a cold winter of 1981, statistically the highest crime year the city had seen. Amidst this chilling backdrop, the ambitious owner of a growing heating-oil delivery company, Abel Morales (Oscar Isaac), is being investigated under suspicion of corruption, by the District Attorney. Abel and his tough-as-her-nails wife Anna (Jessica Chastain), who does the accounting for the company, are being slowly terrorized by criminals who may or may not be associated with the company's competition. It is when things start to unravel that Chastain's character shows us her wounded self, leaving the fearless facade behind. Abel's sole interests are to protect his business and his family from those who are aiming to bring good down. Struggling to run his business without fear, Abel begins to question the people who he has been working with, meanwhile focusing on the growth which he so eagerly demands to achieve. Oscar Isaac always displays a seriousness in his characters, and his Abel draws all eyes on him. His delicate performance of an honorable man with a challenging dream commands respect. Isaac is a true talent that should have nabbed a Best Actor Oscar nomination for A Most Violent Year, yet did not, arguably because of the packed category this year. But, he will have his time; just keep watching.
A Most Violent Year is not indulgent filmmaking. Not crimes, chase scenes, nor violence are glorified by director J.C. Chandor, as they are portrayed in most-to-all "gangster" pictures. Chandor's film is very dimly lit, and he drowns out the background in many of the important dialogue scenes, focusing only on his characters at hand. A Most Violent Year feels classic, which is the direction that films should be going in. Stripped of flash and CGI, the film bares itself to us. The script refers to Abel Morales as The Caped Crusader - but this crusader is not cloaked in disguised mystery - his ethical determination will allow good to be victorious.
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